Tag Archives: Aesthetic

June 15th and 16th

The previous evening (June 15th), Ella Montt had travelled with William Morris up the river to visit a group of humans who wished to hear Morris speak at a social space. The place was where it is oval down by the gasworks, a short walk from the river. Whilst Morris spoke, they had left his rowing boat tied up by a bridge in Vauxhall. The humans at the social were a mixed group of individuals who sort alternatives to the labour machines that they were reliant upon. William Morris explained the folly of over production or mass production of the commodity as opposed to the process of hand-printing wall paper and fabric in complicated 32 colour block designs. It was not just the aesthetic; the process of which although exacting was nevertheless purposeful and time consuming, but in terms of employment in time hours it allowed an hour or two left over in the day for cultivation of plant matter at the allotment. After the social event, Morris was sleepy and Ella Montt had to row back down the river, so she switched the boat to fast forward mode and they returned in no time. William Morris rolled himself in his carpet and slumbered peacefully under the Mulberry Tree. Ella Montt left him there and tuned into an electronic headset and processor.

June 16th – At Allotment Plot at MERL, Ella Montt removed the net that had been surrounding the Peas, then harvested Broad Beans and Peas. It was no accident that the words “botany” and “starch”, kept repeating themselves over and over again in Ella Montt’s head, she was under the influence of prescheduled programming and imagining the starch molecules moving inside the living plants. If she stared hard enough, perhaps she would see them. It is the plant starch that is part of photosynthesis that is keeping us all alive. The ability of plants to convert light, oxygen and water and to absorb carbon dioxide never ceased to amaze Ella Montt as she worked in the garden.

Eve Balfour strolled across the garden to check on her Potatoes and ask about the Oak Trees seedlings that Ella Montt was collecting from sprouting acorns at Plot 326. Beuys was interested in Ella Montt planting them in the field at the Farm to replace the collapsed 1000 year old tree. More plant residue was removed from one area of the Plot and placed in the Brick Composter to become another part of the Plot, an evolving ecotope. Ella Montt planted out Celery Tall Utah and Celeriac Ibis seedlings echoing the action that had taken place at Allotment Plot 326 on the 11th June. 1 x Koralik Tomato plant was planted within the row of Tomato plants beneath the large Bamboo Tripod.

John Ray, Carl Linnaeus, Philip Miller were standing across the garden discussing loudly their theories and evidence that constructed the science of plants. The Three had recently watched a BBC television program on Botany that presented their work to a 21st century audience and they were somewhat excited about re-comparing their findings even though they were several hundred years old. Tansley (also a Botanist), appeared at MERL’s reading library window. He climbed out and crossed the lawn so that he could converse with The Three on Ecosystems and the plant as a machine.

Meanwhile, Ella Montt had shifted 6 x 9ft dark Bamboo canes to MERL’s garden to become part of the Plot. One 9ft cane was added to each of the six smaller Bamboo cane arrangements so that they individually now contained four sticks of Bamboo. Ella Montt tied each Bamboo cane arrangement together with stripes of strong plant material that had been taken from a tropical plant near the fixed-up-greenhouse at another location. The Bamboo constructions became stronger and connected to the energy levels above the Plot.

Ella Montt removed slugs and snails from the Peas and placed them in a different area of the garden. Pot Marigold and Borage flower buds were starting to open. The visitors to the garden drifted off to their resting places. Then a vent in the sky opened and it rained.

Harvest: Broad Beans = 4oz = 100g; Peas (various mix) = 1lb = 450g.

Cultivation Field – Call for Papers and Proposals

Cultivation FieldPostgraduate Symposium – 28th September 2011

Exhibition – 28th September to 6th October 2011

University of Reading

The premise for this Symposium and accompanying Exhibition is that cultivation is leading to new art practices deserving of critical inquiry and articulation. Whether in the garden or allotment, the soup kitchen or the road, on wasteland or the tower block, or wherever there are cracks in the system, cultivation provokes questions about human being’s relation to and encounter with the earth and its growth systems and operations. The purpose of this Symposium and Exhibition is to encourage discursive exchange and productive encounter between art practitioners and researchers within the cultivation field.

Artists and research students are invited to submit 250 word abstracts for the Symposium and/or the Exhibition, accompanied by a short biography or CV. We are interested in proposals for paper presentations, performance (including culinary), film, intervention, sound, installation, or text works, that explore plant-based material, land use, growth, ecosystems, economy, taxonomy, environment, power and chaos in the field of cultivation.

Performances can be arranged in open-air locations on the campus. Individual presentations will be restricted to 20 minutes duration.

Deadline for submission is: 29 July 2011 at 17.00.

Submissions should be addressed to:

Cultivation Field
Department of Art,
University of Reading,
1 Earley Gate,
Whiteknights,
RG6 6AT.

Please include a S.A.E with correct postage if you wish material to be returned to you.

Or by email: cultivationfield@pgr.reading.ac.uk

Email submissions should be no more than 5MB, jpg, doc, docx, or pdf format, or with a link to the web address where work is hosted. Please include all technical requirements in your proposal.

The deadline for registration is: 23 September 2011.

To register for the Symposium please fill in the online form here.

Artist-made plant-based lunch and refreshments will be available.

THE EVENT IS FREE.

Cosmos Cosmea

The weather conditions on 09/09/2010 at Ella Montt’s Plot in MERL’s garden were favourable for early September, neither too hot nor too cold; there was a mixture of sun and clouds in the sky. Both white and pink Cosmos Cosmea were flowering. Ella Montt wonders if the structures of the Cosmos flowers are universally judged to be beautiful or if it is herself that critiques these flowers in such a way?

Cosmos Cosmea

The Pepper plant’s life energy is fading. It is up rooted from the Plot. In contrast the Aubergine plant appears healthy, but still bearing no fruit.  A few of the Squash plants are fruiting but too late in the growing season for substantial growth, they will need water and sunshine to accelerate their plumping.

Squash Fruit

The days harvesting commenced: Courgette Soleil F1 = 2oz = 40grams; 3 Dwarf Beans Royalty = 1oz = 20g; Rainbow Chard = 1.5oz = 30g; Kale Pentland Brig = 3oz = 60g; Kale Red Russian Curled = 1oz = 20g; Tomatoes = 1lb4oz = 600g; Cucumber = 2oz = 40g; French Climbing Beans Blue Lake = 1lb4oz = 600g and Blauhide 1.5oz = 30g; Runner Beans = 7oz = 200g.

Planting and Weeding

Planting Performance (4) occurred on 13/05/2010. The weather conditions were warm and sunny. For several days prior to the Planting event, it had looked like it may rain, the previous evening dark storm clouds had gathered, but no rain fell. Temperatures were dipping down at night causing frost damage to some plants, but luckily not on the Allotment Plot.

The state of the Plot reports as follows; the Broadbeans had almost finished flowering, the dying flowers that have turned black, will form their bean pods over the next few weeks. The Peas, now very much recovered from the cold winter, are flowering so the first Pea pods will arrive soon. The garlic continues to grow as does the onion sets, although the Garlic has always seemed to be growing far more rapidly than the Onions. The over wintered Spinach that was supposed to provide food through out the winter, is now going to seed and the leaves are still small.

The Brassicas have been attacked and eaten by predators, possibly pigeons, leaving the skeletal frames of the seedlings. Will the Brassicas recover or are they doomed to crop failure? Is this high or low drama on the Plot? What may seem comparatively insignificant in the scheme of the Plot, could in months to come, when the greens are most needed for nutritional requirements, mean that there is a substantial deficit in food production, producing a hungry gap that should not be there at that time. Covering the Brassicas may assist in their recovery, but it may not, because the damage could be too great. The situation will be carefully monitored.

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Planted at the Plot on that day in honour of Guerrilla Gardeners everywhere was a sunflower seeding and sunflower seeds. Weeding then prevailed. Using a hoe and also by hand many weeds were removed from the plot. Weeding will be an on going activity on the Plot.

Is the viewer aware that this Allotment Plot is a live Art situation? It is an on going event that can be visited in Museum opening times. The Plot is growing its own aesthetic. Ella Montt will not always be there, but the Allotment Plot is. Does this particular Plot differ from the two other vegetable plots in the garden and what makes it Art? Weeding 1

Weeding 2

Place

Ella Montt journeyed East from London to a specific Place, (for now an undisclosed location). Fields were traversed, conversations and images recorded as part of the Ella Montt’s methodology.

Field A

The tree, the fields, what history they hold hidden in their memory. The Place contained an Event that went on as a process extended over time spanning growing seasons and years. The Event became an Influence that would reach into the Future.

Field B

Wild blossom of a Blackthorn winter surrounded the stubble fields that were left to rest fallow for a year. The other fields planted with wheat were greening over under the heat of the sun. The significance of the fields and their history may be unconsciously felt by many, as tangible but without knowledge of their origination.

Field C

The Tree, an ancient oak, reported to be 900 years or so old, has collapsed to the ground. The Tree has witnessed many happenings and is highly important as part of the Place. The Place is a Monument to labour specific human activity.

Tree 1Tree 2

Planting Performance at MERL

Planting Performance at MERL happened on 5 March 2010 11am-1pm. Weather conditions for the Planting were good; frost overnight, sun bright and warm, slight breeze, last rainfall a few days before, specifics for planting were appropriate.

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Grounds men had recently deposited a large pile of compost that was available for usage. The compost was derived from recycled green waste at the University. Some of the compost was shoveled into three wheelbarrow loads and delivered to the Allotment Plot, then shoveled out and spread with the use of an historic rake. The rake was purchased at a car boot sale four years ago and handed to the artist, (who is now known as the subject Ella Montt).

Perform Raking

Seed planting began including conversation. Ella Montt as a subject is not a gardener, but Ella Montt as an artist is performing planting and gardening. Ella Montt is planting performance within the arena of MERL, the museum’s garden. The Allotment Plot is a performance area. Performance and growing is Ella Montt’s medium, for Ella Montt this is the same as painting or sculpture.  Ella Montt’s intention is to encourage critical debate with persons that may come into direct or indirect contact with Ella Montt. The aesthetic surrounds ethics and political motivation or material. The viewer may or may not wonder what other impulses are hidden within or behind the Allotment Plot.

Perform Writing

Organic vegetable seeds planted were as follows: 2 rows of Brussels Sprouts Darkmar 21, 1 row of Cauliflower Snowball, 2 rows of Parsnip Halblange White, 1 row of Carrots Amsterdam Forcing, 1 row of Kale Pentland Brig. Other organic herb and flower seeds were also planted; Dill, Coriander Santos, Flat Leaved Parsley, Borage, Nasturium, Pot Marigold Calendula Officinalis and Cosmos Cosmea.

Perform Seed Planting

What seeds germinate and what will survive to grow to maturity is a hidden mystery, unpredictable from the start. Harvest is the intention. Weather acts as an agent. Wild life that is present in the garden can harvest at will unless blocked by human interference. Biodiversity acts out its role as assistant in promotion and deterrent in the organic state, with no need for chemical warfare.

Allotment Planting Performance

The Fixed-Up Greenhouse

The seedlings were transported from the studio to a new growing location. The location or place being The Fixed-Up Greenhouse, which has become an extension of the studio, a working area for art practice and a home for the seedlings until they are ready to be planted out at the Allotment Plot at MERL

The studio location was also moved, further down the corridor to a different space. A blank white wall appeared in order to negotiate art practice. What is the relationship of art practice in the studio to seedlings growing as art practice in The Fixed-Up Greenhouse, the Allotment Plot at MERL and the research for art practice? Theory, fact and fiction may surround the groundwork. Seedlings in GreenhouseGreenhouse SeedlingsGreenhouse

Rhizome and the Plot

The Allotment Plot’s specificity is plant life growing at a Place which contains the Plot. The Place and its multiplicity is fold and refolded. The plant life’s roots and radicles are growing around the groundwork of the Plot. The Art Practice is wrapped with roots that radiate and shoot. All plant life being in its specificity not entirely rhizomatic.

Plot Febrauryallotment46Tiny Pepper PlantsTomato Growing

“A rhizome as subterranean stem is absolutely different from roots and radicles. Bulbs and tubers are rhizomes. Plants with roots or radicles may be rhizomorphic in other respects altogether: the question is whether plant life in its specificity is not entirely rhizomatic.” (Deleuze & Guattari – A Thousand Plateaus).

Allotment Aesthetics

After a week when the allotment plot at MERL was covered in snow, the vegetable plants are still surviving, but some are suffering frost and snow damage. It would seem frost burn is the condition, a few of the Broadbeans are slightly effected, as is the Garlic and the Peas more so, but there are no outright casualties. The Sprint Garlic is growing (sprinting), much more quickly than the Thermidrome Garlic, which is only just appearing out of the soil. The Onion sets growths are very slow. Can the aesthetic condition of a vegetable reflect the state of the world through political consensus? Or is the political to blind to see the aesthetic?allotment32Broadbeans Frost BurnPeas Frost Burn

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