Archive for March, 2010

The Allotment Plot thickens with another Planting Performance in the Garden at MERL (18/03/2010). The weather conditions were good for planting again. The day was pleasantly warm with the Spring equinox approaching. Rain was in the forecast and needed, but that did not occur until the evening when darkness fell.

The Artist selected seed packets, some tools, gardening gloves, a small bell, a thermos and a measuring stick and placed the objects next to Allotment Plot. Then with a hoe and small hand fork proceeded to remove some grass plants growing on the Plot. Shallow drills were constructed with the hoe, these were ground incisions for seed accumulation in the planting process. The first seeds were delivered to their destinations. The bell was rung along the line of seeds to awaken them from dormancy to germination state. The hoe was then utilized to cover the seeds with the soil to complete the planting process. More seeds were chosen and the process of planting began again.

Allotment Performance Again

As the Allotment Plot thickens, the Artist pauses to observe the notes written about the seeds that had previously been planted. The Artist drinks a cup of tea from the thermos, a normal activity for a person or persons working on their allotments and part of the Performance. Pondering on the size of the Plot, and the space limitation, the Artist decides that an optimum number of seeds should be planted. This would maximize the Plot and may retain more water through ground coverage rather than water evaporation process taking place in a drought situation. Irrigation would be ideal and a water butt close to hand, but this is not a current option. The Artist is conscious that intensive farming can destroy the fertility of the soil.

The notion of what to grow and how to grow it, can be calculated and assisted. The Artist chooses to grow organically without the assistance of animal by products, but with the assistance of biodiversity present within the Garden, a veganic method.  A ladybird (ladybug) arrives on the scene at the Allotment Plot, a very welcome guest, who will assist in pest control. One perhaps could wonder if a vegan (who eats plant based foods), should choose the biodiversity of wildlife as a form of natural pest control in the growing method of plant based food products. A genetically modified seed could grow without the use of natural wildlife pest control, no insects or animals would be harmed in the growth of the food product. However, genetically modified food production results in the loss of biodiversity, it breaks the food chain for insects and animals, resulting in the loss of species on the whole planet. Using the immediate gratification of growing genetically modified crops as an answer to world need for food production becomes its own fictional myth and as a consequence produces its own catastrophe not just through the loss of species, but also through crop failure and the ingestion of genetics that are in themselves harmful to the being that eat them. Veganic growing uses no animal by products to fertilise the soil, it instead relies on green manures and composting to make the soil fertile and it encourages biodiversity of insects and animals to act as agents in pest control, and the use of companion planting which is also very important in the growing process.

Ladybug

Seeds that were planted during the Planting Performance were as follows:

Leek Almera, Kale Red Russian Curled, Spinach Matador (Atlanta), Leaf Beat Rainbow Chard, Beetroot Bolivar, Cabbage Savoy (Vertus), Rocket Wild, Lettuce Lollo Rosso, Spring Onion White Lisbon, and Lettuce Marvel of Four Seasons. What will germinate and grow for now remains a mystery, but hope for a good harvest will be constant.

The coldest winter in thirty years awaits the coming of warmer weather. Later that day, a bee was seen, a frog hopped by in search of a pond and a snail arrived to eat the vegetable crop. The growing cycle continues.

Report from the Fixed-Up Greenhouse is as follows:

Tomato plants that were planted in January are not looking good. Suffering cold and frost damage, some have died. The plants that are ‘alive’ look already blighted. More seeds were planted as replacements.

Tomato Zuckerman 13 plants alive. Total of replacement seeds planted = 6.

Tomato Chadwick 7 plants alive. Total of replacement seeds planted = 10.

Tomato Gardeners Delight 4 plants alive. Total of replacement seeds planted = 6.

Planting early tomatoes has not produced the expected result, which was to be ahead in the growing year. The actual plant growth is very disappointing, the conditions were not right. Tomatoes need unfailing warmth in order to survive and flourish. Sudden dips in temperature to below freezing are catastrophic for the tomatoes structure.

In contrast the Peppers, Aubergines, and companion planting, Pot Marigolds, Cosmos, Sweet Peas, and Nasturtiums are doing well, although still small in early development stages of growth, but looking healthy.

Tomatoes Not Looking GoodCosmos

Planting Performance at MERL happened on 5 March 2010 11am-1pm. Weather conditions for the Planting were good; frost overnight, sun bright and warm, slight breeze, last rainfall a few days before, specifics for planting were appropriate.

allotment52

Grounds men had recently deposited a large pile of compost that was available for usage. The compost was derived from recycled green waste at the University. Some of the compost was shoveled into three wheelbarrow loads and delivered to the Allotment Plot, then shoveled out and spread with the use of an historic rake. The rake was purchased at a car boot sale four years ago and handed to the artist.

Perform Raking

Seed planting began including conversation. Artist as a subject is not a gardener, but Artist is performing planting and gardening. Artist is planting performance within the arena of MERL, the museum’s garden. The Allotment Plot is a performance area. Performance and growing is the artist’s medium, for the artist this is the same as painting or sculpture.  The artist’s intention is to encourage critical debate with persons that may come into direct or indirect contact with the artist. The aesthetic surrounds ethics and political motivation or material. The viewer may or may not wonder what other impulses are hidden behind the Allotment Plot. There is more within and behind the Plot.

Perform Writing

Organic vegetable seeds planted were as follows: 2 rows of Brussels Sprouts ‘Darkmar 21′, 1 row of Cauliflower ‘Snowball’, 2 rows of Parsnip ‘Halblange White’, 1 row of Carrots ‘Amsterdam Forcing’, 1 row of Kale ‘Pentland Brig’. Other organic herb and flower seeds were also planted; Dill, Coriander Santos, Flat Leaved Parsley, Borage, Nasturium, Pot Marigold ‘Calendula Officinalis’ and Cosmos ‘Cosmea’.

Perform Seed Planting

What seeds germinate and what will survive to grow to maturity is a hidden mystery, unpredictable from the start. Harvest is the intention. Weather acts as an agent. Wild life that is present in the garden can harvest at will unless blocked by human interference. Biodiversity acts out its role as assistant in promotion and deterrent in the organic state, with no need for chemical warfare.

Allotment Planting Performance

The seedlings were transported from the studio to a new growing location. The location or place being The Fixed-Up Greenhouse, which has become an extension of the studio, a working area for art practice and a home for the seedlings until they are ready to be planted out at the Allotment Plot at MERL

The studio location was also moved, further down the corridor to a different space. A blank white wall appeared in order to negotiate art practice. What is the relationship of art practice in the studio to seedlings growing as art practice in The Fixed-Up Greenhouse, the Allotment Plot at MERL and the research for art practice? Theory, fact and fiction may surround the groundwork. Seedlings in GreenhouseGreenhouse SeedlingsGreenhouse